Friday, 24 August 2012

Godawful Poetry Fortnight - writing cue - day 6

Your poem must be an ode to a public figure. Preferably a film star or a cricketer. Or Anna Hazare.

Thursday, 23 August 2012

Godawful Poetry Fortnight - writing cue - day 5

In this poem you must write about The Grave Social Issues That Plague Our Country.

Wednesday, 22 August 2012

Godawful Poetry Fortnight - writing cue - day 4

Today's poem must be in SMSese. And it must be at least 20 lines long.

Tuesday, 21 August 2012

Godawful Poetry Fortnight - writing cue - day 3

Today, Godawful Poets, you will write either a ghazal in English or a sonnet in Hinglish.

Monday, 20 August 2012

Godawful Poetry Fortnight - writing cue - day 2

Today's poem must be about love again. But at any age.
And it
• must be in rhyming couplets
• should, preferably, be in terrible meter
• should, preferably, use the rhyming pairs love/dove and moon/june

Sunday, 19 August 2012

Godawful Poetry Fortnight - writing cue - day 1

Dang. Wrote this and forgot to publish it!

Today's poem must be about unrequited teenage love

Wednesday, 15 August 2012

What Godawful Poetry Fortnight did next: call for exits

As you already know, Godawful Poetry Fortnight starts on the 19th August and runs up to the 31st August. This blog is its literal and spiritual home. All previous posts on the subject here are tagged thus.

Our Patron Saint is William Wordsworth.
And he gets this signal honour for saying that poetry "is the spontaneous overflow of powerful feelings." Way too many aspiring poets have rallied behind that banner, too few going so far as recollecting those emotions in tranquillity, let alone reading the rest of the preface to Lyrical Ballads (which can be found on Bartleby, for those interested).

This is its fifth year.

Godawful Poetry Fortnight isn't a competition such, so we don't invite entries. We instead invite all poets, of whatever degree of cringing self-image, to use its licence to put down their very worst work. Let it all out, we say, like you would acidity or, erm, other body wastes. So this is our call for exits.

Post godawful poems as often as you like during the Fortnight. (The True Believers Challenge: post thirteen godawful poems, one on each day of the Fortnight.)

If I can think of 13 prompts in time, I'll post them all here, and you can use them, if you need them. No promised though.

Use a Godawful Poetry Fortnight tag or label on your post, and/or maybe a #GodawfulPoetryFortnight hashtag on Twitter and/or Google+. You can link to this post or this blog if you want to, and/or you can alert me on Twitter) and/or Facebook and/or Google+. None of that is required if you'd rather not. The important thing is the evacuation. I mean exit. I mean poetry.

Right then. Onward! Upward!

Friday, 10 August 2012

The Olympics: still sexist after all these years

This Olympic Games made history by making it mandatory for every participating country to have women athletes in their teams. So we saw even staunch bastions of male chauvinism send in at least a few women. Hurrah for that.

But there is still sexism evident in various individual sports.

• Until just a few months before the games, there were still attempts being made to insist that women badminton players and boxers compete wearing skirts, and that women beach-volleyballers wear bikinis (while not insisting on abbreviated costumes for the men). Thankfully wiser counsel prevailed and left it to the players to decide. (A few years ago, indoor volleyball had suffered similar conniptions, with fusty old administrators insisting that women players wear really short shorts, while not mandating any length for men.)

• In artistic gymnastics, events for men and women differ. And in events that are similar, like the floor exercises, you'll see that women have music playing, while men don't, seemingly implying that the men require just strength while the women must have grace and artistic interpretation.

• Full-contact sports like boxing and wrestling, which used to be men-only, now have women's events. So at least there's recognition that women can fight too. But these sports have far fewer categories than the men's events. Boxing has has only three weight categories for women against ten for men. (Which is why Mary Kom had to box in a heavier weight category than she had thus far). Free style wrestling has seven weight categories for men and four for women. Greco-Roman wrestling has seven categories for men and none for women. The other 'combat' sports—judo, taekwondo and fencing—have an even balance of weight categories.

• Even athletics has a wee level of discrimination against women. There is no 50km walk for women, though women compete regularly in far longer, arguably more gruelling events like triathlons and ultra-marathons. And the men's decathlon (as the name indicates, 10 events) is matched by the women's heptathlon (7 events).

• Shooting allowed women in for the first time in Los Angeles, 1984. There was mixed gender competition—which seems logical, considering that gender does not augment or detract from accuracy with the use of a piece of technology—until Barcelona in 1992, but separate events after that. And there are fewer events for women (six for women, nine for men) and fewer slots (each country is limited to 28 athletes, 20 men and eight women).

• Then there is sexism of a different nature: synchronised swimming and rhythmic gymnastics do not have men's events. (Synchronised diving, however, does.) Grace of movement is surely not an exclusively feminine trait?

• This must be said. The shining beacon for gender equality is the otherwise elitist-by-its-very-nature equestrian section, where men and women compete as equals.

IOC, you've come a long way, baby, but you still have ground to cover.

Saturday, 16 June 2012

President Me

Dear politicians,

The Presidential succession seems to be causing much strife. Political equations are breaking down, threatening the stability of a delicate coalition, perhaps hurrying us along to an early election we can’t really afford.

While Mr Pranab Mukherjee is, no doubt, well deserving of a quiet start to his retirement, his selection as a candidate is finding vociferous objection from many quarters. And, truth be told, he is well-nigh indispensable as the Mr Fix-It of the current coalition.

May I propose an excellent alternative candidate?

Me.

Yes, I know. This is a bit sudden, and unexpected. But hear me out.

I’m not political. Broadly, you could say I’m from the arts (I once won a poetry contest), so as much as I don’t represent any political party, I also won’t antagonise any of them either.

My name may appear to disqualify me, but really, if you look at it, it’s a plus. I’m a member of one of the smallest minorities in the country. Technically, I’m Anglo-Indian, but actually the European part of my ancestry isn’t British; it’s part-irish (and you know how the Irish feel about the Brits), part Scottish (they want to split from the United Kingdom too). The rest of my ancestry includes some East Indian, some South Indian and who knows what else. I was born in Vizag, my mother in Khurdha Road, my father in Ludhiana, one grandmother in what was Burma, the other grandparents in various parts of what is now India. While my name is Christian, I’m more of an atheist / tree-hugger. So you can’t place me in any real slot. Ergo: no regional, caste or community equations to balance. I am, sirs and madams, national integration in the flesh.

Then, I’m media-friendly. Heck, I work in the media. I’ve also spent many years in advertising, so I can be hands-on with the creation of our next tourism/FDI-attracting campaign. I also have a pleasant, microphone-trained voice, with a small portfolio of voice-over and radio work behind me. (While on the media, I will quickly concede that a glance at my profile picture will tell you I’m not prime-time’s dream face. But then, none of our presidents have exactly launched a thousand ships.)

Add this: I love to travel. And I’ve actually worked as a travel writer. And I’m reasonably tech-friendly: I blog, and I dabble in social media. So, hey, I promise to live-blog and live-Tweet and Pin and Facebook all the Presidential tours. How’s that for distracting the people from all the real issues?

Oh yes, I also have long hair, in keeping with the trends set by our current President and the one she succeeded. Granted, it’s not silver, but then, we could turn that into an advantage: I could be India’s youngest President! (Here’s an idea: how about I dye my hair in the colours of our national flag?)

But, most of all, I really, really need a house. The price of real estate in Bombay and its neighbourhood is just unreal, and I can’t even think about buying a place of my own. So, a five-year stint in Rashtrapati Bhavan followed by a retirement in a wee mansion on some re-purposed army land would be wonderful.

Thank you for your consideration. Please indicate you support by tweeting with the hashtag #ZigzacklyForPresident. Long live the Republic!

Your future President.

Sunday, 11 March 2012

Rah-Rah Rahul

I'm not a cricket fan. At least, not in the way that a large part of this country seems to be. I played a bit of 'colony cricket' as a lad — who hasn't? — but vastly preferred basketball, badminton, table-tennis, and volleyball. I've never watched a game from s stadium seat, but have watched my share of the game on TV, and watch bits of cricket on the office television happily enough, now that I don't have a set at home, but if I had my druthers, a nice escapist movie works better. I read reports and analysis, and follow a few exceptional cricket writers, but that reading is more for the writing than the game. And I couldn't care less if the BCCI's team wins or loses.

What I can say about Rahul Dravid, therefore, would be shallow, because it would not begin to be knowledgeable and affectionate about his cricket, which defined him for all of us.

My far more knowledgeable colleagues have been engaged in heated debate (on our private newsgroup) on the man's legacy and his place in the pantheon, but this being a hectic time for the crew, with the Budget around the corner, no one has had the time to do a connoisseur's take just yet. So I will play curator instead, and extract from and link to some excellent pieces from around the Web.

But I'll venture to say this first. Dravid epitomises the ideal of the sportsperson. He played hard, without being boorish, respected his opponents without conceding an inch of ground, put it all on the line for his team-mates, leading by example. That he retired when he did, without pomp and long farewell tours, while people still "'asked 'why?' rather than 'why not?'" spoke volumes for his character. He is a gentleman to the bone, and everything he does spells class.

The writer CLR James asked, "What do they know of cricket who only cricket know?" I'd wager that very few top level cricketers would know the quote. And that Dravid would be one of an even smaller group who'd know that the line was after Kipling's "And what should they know of England who only England know?" Dravid always came across as a complex, curious, well-rounded personality, of someone who could talk about many things, with understanding and compassion.

I've had few sporting heroes — Muhammad Ali, Prakash Padukone, Michael Jordan, Sunil Gavaskar, Carl Lewis — and Dravid is one of them. He's younger than I am, but I can say this with certainty: when I grow up, I want to be like Rahul Dravid.




Rohit Brijnath in Mint:
If the old-fashioned among us have a quaint notion of whhttp://www.blogger.com/img/blank.gifat the athlete should represent, then he met it for us. Greatness can be worn gently, a man can stay true for 16 years to the idea that desire and sportsmanship, ambition and etiquette, are not virtues in conflict. We needed a reminder that even amidst the over-indulgence and over-worship of modern sport a man need not lose himself.

Sambit Bal in ESPN-CricInfo
There is a normalcy about him that is almost abnormal. There are public figures who go out of their way to put you at ease, but the effort is palpable. Dravid does it just by being himself. There is no affectation and artifice to it. Not that he is unaware of his stardom or is falsely modest about his achievements, but he can step outside all that and connect with the world at a real level.
It's almost as if he leaves that part of his world behind him when he leaves the cricket field. And perhaps that's why he can see the cricket world from the outside, reflect on it objectively, and see the ironies and futilities of stardom. It's a rare and remarkable quality. It has helped him engage in relationships in the outside world without baggage.

Mukul Kesavan in CricInfo
Greatness in batting, specially in the last 20 years, has been associated with masterful aggression: Lara, Tendulkar, Ponting. In the same period, Dravid (along with Jacques Kallis) showed us masterfulness of another sort: great defensive batting put to winning ends. Dravid's originality as a batsman needs an essay to itself; suffice to say that by melding Gundappa Viswanath's wristy genius with Gavaskar's monumental patience and poise, he became that remarkable and original creature: a stylish trench-warrior.

jamie Alter in Cricketnext
In particular, I remember two shots of Dravid's. The first, when was closing in on a century in Adelaide, the scene of his most famous innings. Jason Gillespie had just bounced him, and Dravid looked a bit rattled. Gillespie repeated the short ball again, and this time Dravid took him on with the hook. It wasn't connected perfectly, but sailed over the fielder at fine leg to bring Dravid his century, one that turned into 233 of the most fabled runs ever scored by an Indian.
The second shot he played during his colossal 270 in Rawalpindi to drive India towards a rare series win in Pakistan. He was batting on about 220 - I am not sure - and played a drive for four past extra-cover off Danish Kaneria. Dravid was sapped, mentally and physically, and stooping over in his crease; but the way he planted his front foot forward and drove that ball with all the basics intact was stirring.
These two shots came in different circumstances, and showed two different shades of Dravid. It is hard to imagine him playing an aerial shot, that too with a horizontal bat, when so close to a century. That too when the bowler had just mouthed him off. But Dravid did it, and on that day succeeded. It was one of the rarest instances of him sending a message back to the bowler, in anger. The shot in Rawalpindi came after he had crossed his double-century and was sagging. But even when his body was showing signs of collapsing, he stuck to what he knew best. That, it was as if he was saying, is how you play a cover drive. These two instances, for me, encapsulate Dravid.

Siddhartha Vaidyanathan, a.k.a. Sidvee, consistently one of Dravid's most eloquent admirers, in a letter to Dravid on his blog
You are too conveniently slotted as a specialist batsman. I disagree. That’s too simplistic. For me, you are an allrounder – not in the way our limited imaginations defines an allrounder but in a broader, more sweeping, sense.
I find it hard to think of a more versatile cricketer. You were one of our finest short leg fielders. You were, for the most part, a remarkable slip catcher. You have opened the innings, batted at No.3, batted at No.6 (from where you conjured up that 180 in Kolkata). I’m sure you have batted everywhere else.
You have kept wicket, offering an added dimension to the one-day side in two World Cups. You even scored 145 in one of those games. You captained both the Test and one-day teams. Sure, things didn’t go according to plan but you were a superb on-field captain. More importantly you were India’s finest vice-captain, an aspect that is often conveniently forgotten. Jeez, you even took some wickets.
There’s something unique about this. In Indian cricket’s hall of fame, you can proudly share a table with Gavaskar and Tendulkar. But you can also share one with Kapil, Mankad and Ganguly – cricketers who excelled in more than one aspect of their game for an extended period of time.

Ed Smith, Dravid's team-mate at Kent, in CricInfo
One word has attached itself to Dravid wherever he has gone: gentleman. The word is often misunderstood. Gentlemanliness is not mere surface charm - the easy lightness of confident sociability. Far from it: the real gentleman doesn't run around flattering everyone in sight, he makes sure he fulfils his duties and obligations without drawing attention to himself or making a fuss. Gentlemanliness is as much about restraint as it is about appearances. Above all, a gentleman is not only courteous, he is also constant: always the same, whatever the circumstances or the company.
In that sense, Dravid is a true gentleman. Where many sportsmen flatter to deceive, Dravid runs deep. He is a man of substance, morally serious and intellectually curious. For all his understatement, he couldn't fail to convey those qualities to anyone who watched him properly.

And the last word from his wife, Vijeta Dravid, in this eloquent piece. Here's an extract:
People always ask me the reason for Rahul being a "normal" person, despite the fame and the celebrity circus. I think it all began with his middle-class upbringing, of being taught to believe in fundamental values like humility and perspective. He has also had some very old, solid friendships that have kept him rooted.
He is fond of reading, as many know, and has a great sense of and interest in history of all kinds - of the game he plays and also of the lives of some of the world's greatest men. When he started his cricket career, he had a coach, Keki Tarapore, who probably taught him to be a good human being along with being a good cricketer.
All of this has given Rahul a deep understanding of what exactly was important about his being in cricket and what was not. It can only come from a real love for the game. When I began to understand the kind of politics there are in the game, he only said one thing: that this game has given me so much in life that I will never be bitter. There is so much to be thankful for, no matter what else happens, that never goes away.
Cricket has made Rahul who he is, and I can say that he was able to get the absolute maximum out of his abilities as an international cricketer.
What next for him? I know he likes his routine and he's in a good zone when he is in his routine, so we will have to create one at home for him. Getting the groceries could be part of that. A cup of tea in the morning for his wife would be a lovely bonus, I would think, particularly now that he doesn't have to take off for the gym or for training at the KSCA at the crack of dawn.
More seriously, though, I think he will spend time relaxing and reading to let it all sink in a bit. He has loved music and wants to learn how to play the guitar. Then perhaps he would like to find something that fills in at least some of the place that cricket occupied in his life, something challenging and cerebral.

And the announcement:


(cross-posted)